Waving a looking glass over the finer things in life, O3 Gallery in Oxford Castle Quarter is currently housing an intricate exhibition called One Thousand Cranes highlighting work by contemporary fine artists and craftspeople working with paper. Taking the familiar sight of fancy greeting cards and the traditional and familiar craft of origami to a whole new level, the exhibition looks simply beautiful and continues until 27th April 2014. Go take a look…
Paper Ghosts is a photography exhibition by Kim Shaw showing at Art Jericho from 27 February to 31 March 2014… and the works in it look stunning! Some sit somewhere between soft pencil drawings, and monochrome watercolours, whilst others evoke a feeling of technical drawings, or studies of urban landscapes.
The exhibition comprises a collection of four series of photographs, you see, and each feels distinctly different, to the extent that it could be an exhibition of work by four different artists, which is interesting given that Shaw shot all of the images on a primitive analogue camera, a Holga made famous (and trendy) by Lomography and the boom in smartphone filters and apps such as Instagram and Hipstamatic.
The Old Vinyl Factory Project is a series of analogue images that gathers together works executed over the past 18 years, and in which the viewer is deserted by an audience that now largely embraces the digital world; Lilliputian Landscapes (2002) play with scale making the macro appear as micro; The Humidity Series sees Shaw explore the wild beauty of fog on Highland beaches and burns, the River Thames and Cherwell, and condensation permeating the hot houses at Kew Gardens, and Pin-hole Flowers is a classically and deconstructed series of images, presented dot by dot. Jenny Blyth, director at Art Jericho commented, “Shaw’s work is quietly beautiful, wistful yet contemporary.”
Shaw is currently a resident artist at Kew Studio, London, but despite coming from a photographically inclined family she started off life studying journalism followed by a career in advertising – perhaps it is this background or the commercial, brief-based photography of her family’s past that enables her to skip from subject to subject, style to style with such ease!?
Here’s a sample of some of the works on display at Art Jericho as part of this exhibition…
… and if this whets your appetite for analogue (which the people of Oxford seem particularly keen on at the moment following on the tail of the pretty popular, even if I do say so myself, Exposed LiveFriday that took place at the Ashmolean in July 2013, and I co-curated with Lomography London) then be sure to check out the forthcoming Oxfordshire Artweeks associated exhibition, Lo-Fi, taking place between 3 and 25 May at O3 Gallery, Gallery at the Old Fire Station and The Jam Factory, which will see aesthetic effect prioritised over digital accuracy in a series of exhibitions and workshops that will explore and celebrate creative analogue photography.
p.s. The Shop at the Old Fire Station sells some Lomo stuff if you fancy getting snappy yourself!