Mirrors in art

A lot of people I know seem to be migrating back to their homeland / escaping to the country right now, as I have recently done. The majority of these people are in their early 30s, as I am, and are making the move for a better quality of life because their circumstances have changed; namely they need more internal and external space and feel the urge to reconnect with nature in some way, and for some reason. 

This has got me thinking about the profound, inescapable effect that the great outdoors has had on so many people that I know in their early life. It’s got me thinking about the intrinsic link between mental and physical wellbeing and landscape, and how we are reflected in the landscape that we hold dear to us, and it is reflected in us in some way. This has got me thinking about the use of mirrors in art… and has prompted me to get me some mirror to experiment with – more on that soon.

An invitation for an imaginary spatial journey

Love this! Love Modus Operandi’s work – all kinds of fantastic public art in unexpected corners of the country. Check this is out

Artist: Antoni Malinowski
Title of work: Spectral Flip
Client: University of Oxford
Location: Andrew Wiles Building, ROQ, University of Oxford
Year: 2015
Image credit: Valerie Bennett

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Antoni Malinowski commented on his installation:
Each day the journey of light is registered on the two large walls facing each other in the luminous foyer. To complement and enhance this journey, I began by sensitising this background by applying a reflective paint made with mica ground to a fine pigment. Then on the south facing wall, using light absorbing pigments, I painted in colours related to the warm end of the spectrum – from red to yellow. These light wave subtractive earth pigments have been used by painters for around forty thousand years.

The wall paintings will appear very different from different viewing points and with different light conditions. The colour will oscillate between darkness and light, appearing and disappearing, showing different sides of binary complementarities. One elongated thin line in each painting will contribute to the opening of the pictorial space – an invitation for an imaginary spatial journey.”

www.antonimalinowski.co.uk 

Awesome – literally!

Norman Ackroyd and John Bell on art in North Yorkshire

I recently reviewed The Original Print Show at Zillah Bell Gallery in Thirsk for the Darlington and Stockton Times (read about it here), and in doing so got a really interesting insight into what the future of art in North Yorkshire might/could hold…

Born in Leeds in 1938 the artist, printmaker and curator, Norman Ackroyd CBE RA, launched his artistic career as a student at Leeds College of Art before starting his postgraduate studies at the Royal College of Art, London in the early 60s. From then on in, his career has been on a positive trajectory that has not only seen him enjoy personal success, but enjoy the success of early career talent that he has nurtured along the way. Amongst all that his rich career continues to offer, Ackroyd has never forgotten his Yorkshire roots, or his love for all that Yorkshire presents.

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Ian Davenport – Duplex

With passion and excitement brimming over in a voice that hasn’t been the slightest bit affected by life in London Ackroyd explained;
“3500 printmakers from all over the world to the 72 that have been selected for the show in Thirsk this year; that’s a refinement of what was hung in the Summer Exhibition by 20%! I’ve organised this exhibition for fun, but with real intention. Zillah Bell Gallery was extended a few years ago to accommodate a new floor designed specifically for showing prints in. The gallery would have been too cluttered for this kind of show before.”
Without missing a beat, the impassioned man continued,
“This new space presents a real opportunity to put on some really serious shows… there are some incredibly ambitious and skilled works in this show, and I think some of the Royal Academicians and exhibiting artists may now have solo shows up there. This is the second year we’ve organised this show – the gallery is making some good relationships with London galleries that could present opportunities to explore making the gallery in Thirsk even more of a destination.”

Indeed, the benefits of cultural tourism to the local economy should never be underestimated, and exhibitions of this standard present excellent opportunities to build upon the artistic offer in the region, in turn enhancing the lure.  Director of Zillah Bell Gallery, John Bell, commented with pride and enthusiasm;
“I believe any gallery in the entire UK would be proud to host an exhibition of this quality and depth – and, by showing their work, the contributing artists are demonstrating their belief in art in the North.

This area can take real pride in its culture, in the new Hepworth Wakefield, in the success of the Yorkshire Sculpture Park and in the knowledge that so many of today’s foremost artists and writers have come from the North.

Art is for everyone – get out there and enjoy it!”

Too beautiful…

Walter Keeler’s stoneware salt glaze teapot with overslung handle circa 1990’s on show (and available to buy for £850.00) at Oxford Ceramics Gallery – approximate dimensions are: 19.5cm x 21cm x 12cm. LOVE it! Love the speckled turquoise hues, love that athletic, yawning handle. Love the cheeky, jaunty angle of the short, little spout. LOVE this teapot!

Walter Keeler

Really like his sansai jug on stand too… Reminds me of a strutting peacock person with hand on hip and head held high. Just love these objects – such fun!

Walter Keeler  2

Here’s a link to some background information about Walter Keeler, and below’s a photo of his nice face (found online)…

Walter Keeler

That is all!