Norman Ackroyd and John Bell on art in North Yorkshire

I recently reviewed The Original Print Show at Zillah Bell Gallery in Thirsk for the Darlington and Stockton Times (read about it here), and in doing so got a really interesting insight into what the future of art in North Yorkshire might/could hold…

Born in Leeds in 1938 the artist, printmaker and curator, Norman Ackroyd CBE RA, launched his artistic career as a student at Leeds College of Art before starting his postgraduate studies at the Royal College of Art, London in the early 60s. From then on in, his career has been on a positive trajectory that has not only seen him enjoy personal success, but enjoy the success of early career talent that he has nurtured along the way. Amongst all that his rich career continues to offer, Ackroyd has never forgotten his Yorkshire roots, or his love for all that Yorkshire presents.

PR_IanDavenport_Duplex Etching Blue, Pink-hi (2)

Ian Davenport – Duplex

With passion and excitement brimming over in a voice that hasn’t been the slightest bit affected by life in London Ackroyd explained;
“3500 printmakers from all over the world to the 72 that have been selected for the show in Thirsk this year; that’s a refinement of what was hung in the Summer Exhibition by 20%! I’ve organised this exhibition for fun, but with real intention. Zillah Bell Gallery was extended a few years ago to accommodate a new floor designed specifically for showing prints in. The gallery would have been too cluttered for this kind of show before.”
Without missing a beat, the impassioned man continued,
“This new space presents a real opportunity to put on some really serious shows… there are some incredibly ambitious and skilled works in this show, and I think some of the Royal Academicians and exhibiting artists may now have solo shows up there. This is the second year we’ve organised this show – the gallery is making some good relationships with London galleries that could present opportunities to explore making the gallery in Thirsk even more of a destination.”

Indeed, the benefits of cultural tourism to the local economy should never be underestimated, and exhibitions of this standard present excellent opportunities to build upon the artistic offer in the region, in turn enhancing the lure.  Director of Zillah Bell Gallery, John Bell, commented with pride and enthusiasm;
“I believe any gallery in the entire UK would be proud to host an exhibition of this quality and depth – and, by showing their work, the contributing artists are demonstrating their belief in art in the North.

This area can take real pride in its culture, in the new Hepworth Wakefield, in the success of the Yorkshire Sculpture Park and in the knowledge that so many of today’s foremost artists and writers have come from the North.

Art is for everyone – get out there and enjoy it!”

Too beautiful…

Walter Keeler’s stoneware salt glaze teapot with overslung handle circa 1990’s on show (and available to buy for £850.00) at Oxford Ceramics Gallery – approximate dimensions are: 19.5cm x 21cm x 12cm. LOVE it! Love the speckled turquoise hues, love that athletic, yawning handle. Love the cheeky, jaunty angle of the short, little spout. LOVE this teapot!

Walter Keeler

Really like his sansai jug on stand too… Reminds me of a strutting peacock person with hand on hip and head held high. Just love these objects – such fun!

Walter Keeler  2

Here’s a link to some background information about Walter Keeler, and below’s a photo of his nice face (found online)…

Walter Keeler

That is all!

ART & MONEY – where’s the CHANGE?

“Let’s get real, be imaginative, and come up with strategies… if we value arts and culture more then we’ll have more revenue streams – that’s a task for all of us!”
Sir Peter Bazalgette

Sir Peter Bazalgette is chair of Arts Council England and former chair of English National Opera. He has raised funds for arts and media organisations, notably as chair of The Crossness Engines Trust (a steam museum) and as deputy chair of The National Film and Television School.

ofsguestblogger's avatarOld Fire Station Blog

People at chart

On 16th April 2015, artists, cultural organisations, funders, investors and entrepreneurs gathered at the Old Fire Station to debate.

The meeting was part of Marmalade at the Old Fire Station which took place over five days, featuring 76 events and over 1,600 attendances.

Our question was this:

Art needs to be more inclusive, more commercial and have more social impact.
With less money. 

So how does that work?

Jeremy Spafford, Director of Arts at the Old Fire Station, gave the venue’s perspective. Bryony Kimmings – the artist famous for Fake It ‘Til You Make It and Credible Likeable Superstar Role Model and also responsible for kickstarting I’ll Show You Mine with her blog about money – presented the artist’s perspective. Sir Peter Bazalgette – chair of Arts Council England – offered the funder’s perspective.

Intrigued? Read our report of what happened on the day, and some of the conclusions we drew:

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Best family festivals

Having just got back from wonderful Wood festival last night and wondering if we can still get tickets for a few other family-friendly festivals for both fun and ‘research’ sake, I’ve just stumbled across this really lovely round-up of decent (in every sense) family-friendly festivals… Now where did we put our pixie ears!? x x

   
    

… In addition to the the below round-up, here are some top tips from the same blogger, a veteran family-in-tow festival go-er – 10 tips to enjoy (or survive) festivals with KIDS! | a field somewhere

a field somewhere's avatara field somewhere

hunny cool cIt’s grey and cold outside and I am dreaming of a field somewhere. Worry free long sunny days surrounded by gorgeous vibes and happy faces.

To cheer myself up I decided to write about my Top Family Festivals of 2014 and remember some of my most special moments last summer while on the road with Festival Kidz.

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