Shining Light

Shining Light
February 2017
Oil on canvas

shining-light

Mayhew Craddock has developed an interest in the earth’s layers and the earth’s relationship with its greater environment, over the past few years – intrigued by the moon, sea, land, magnetic forces and tides tides, Shining Light looks specifically at the romanticism of stargazing, and the way in which people (from around the globe) have navigated using the night sky, and looked to the stars for direction in love and life throughout history. The idea of greater forces being at work dictating behaviour on the ‘surface’, and pathways that most are totally oblivious to both fascinates and frightens the artist who views elemental forces as having the capacity to offer great personal perspective.

The layered nature of understanding is represented in this series of work through the depth of colour of the oil paints selected (working with two of the slowest drying pigments available) and contrasting flecks of constellations that allow viewers to consider their position in time and space.

In short, the work is a visual allegory for the necessity of, and the difficulty in, gaining a 360 degree understanding of any subject in order to fully comprehend a situation, and make informed decisions as a consequence… posing the question as to whether or not we ought to merely follow our gut instinct, and be guided by ‘that star’ that shines brighter than all the rest yet changes according to the environment it is seen in.

This series of works places emphasis on the mystery, beauty, and romanticism of one’s relationship with the galaxy, and those relationships we harness within in, whilst also inviting the viewer to acknowledge the enormity and influencing factors of what lies beneath and above ‘the surface’.

The work takes its title from the song Shining Light by Ash – a song that resonates from the artists’ youth.

Mirror Paintings

As a continuation of current explorations in mapping I’ve been looking at the ‘Communications’ keys on Ordnance Survey maps; considering again the nature of decision making in life, and how one picks one’s own route through life choosing either to follow specific paths, or go ‘off piste’. Similar to The Natural Course of Things, I’m attempting to highlight the ability, on inability to follow paths according to an ability to read those ‘markers’ that guide the way. In this body of work, however, I’ve chosen to paint imaginary routes, dictated by imaginary landscapes (or voids) that are filled with the viewer’s reflection, by nature of the fact that I am painting on to mirror glass, fractured mirror glass asserting an imperfection or lack of complete control in each piece of work / reflection / route.

I’ve been selected to participate in North Yorkshire Open Studios 2017, and this body of work will be shown for the first time as part of the Open Studios exhibition at my home on South Parade, Northallerton, 2/3/4 and 10/11 June 2017 (look out for the posters in the window!).

For a free NYOS 2017 catalogue, contact the NYOS team on info@nyos.org.uk  /  01756 748529 – I look forward to welcoming you in June!